In that sense, I guess most of Canada's World War One war dead really are gone now. The direct descendants of our World War Two veterans are old now too, like me. Our children do still remember that their paternal grandfather was a bomber pilot in the RCAF, and their maternal grandmother was a Navy petty officer, and their great aunt was a war nurse in Italy. But Canada's next generation will not remember their names.
So it goes.
At least we will always have November 11 to remember the millions of Canadians who served their country and the 118,000 Canadians who died in war in the last 140 years.
What a story!To mark Remembrance week for the first time a poppy flag was raised on Parliament Hill. This week we honour and express gratitude to all veterans. Today is Indigenous Veterans Day, a moment to reflect on the unique challenges and contributions of First Nations, MΓ©tis & Inuit veterans. #LestWeForget
— Anita Vandenbeld (@anitavandenbeld.bsky.social) November 8, 2025 at 12:59 PM
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Now here’s a story… about a man whose aim was true — and whose legacy runs even deeper than his marksmanship. He was born on the shores of Georgian Bay, an Ojibwe boy named Binaaswi — the wind that blows off. That wind would one day carry his name across the battlefields of Europe.
— π¨π¦πTrue Canadian ππ¨π¦ (@canadian-capt.bsky.social) October 23, 2025 at 9:04 PM
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When the Great War called, Francis Pegahmagabow answered. From the trenches of Ypres to the fields of Passchendaele, he moved like a shadow. Scout. Sniper. Saviour. He captured hundreds, saved countless comrades, and stood unshaken under fire.
— π¨π¦πTrue Canadian ππ¨π¦ (@canadian-capt.bsky.social) October 23, 2025 at 9:04 PM
He came home with three decorations for bravery — the most of any Indigenous soldier in Canadian history. When the fighting ended, most men tried to forget the war. Francis couldn’t — not because of what he’d seen, but because of what he still saw at home.
— π¨π¦πTrue Canadian ππ¨π¦ (@canadian-capt.bsky.social) October 23, 2025 at 9:04 PM
The country he fought for denied Indigenous veterans the land, benefits, and respect given to others. So he picked up a new weapon: His voice. He became Chief of the Wasauksing First Nation. He fought for treaty rights, for self-determination, for his people’s dignity.
— π¨π¦πTrue Canadian ππ¨π¦ (@canadian-capt.bsky.social) October 23, 2025 at 9:04 PM
He spoke before governments that refused to hear him — and when they tried to silence him, he spoke louder. He reminded Canada that loyalty runs both ways. He never stopped serving, never stopped believing the country could do better — because it was his country too.
— π¨π¦πTrue Canadian ππ¨π¦ (@canadian-capt.bsky.social) October 23, 2025 at 9:04 PM
And there were other wars, too: Not forgotten:He spoke before governments that refused to hear him — and when they tried to silence him, he spoke louder. He reminded Canada that loyalty runs both ways. He never stopped serving, never stopped believing the country could do better — because it was his country too.
— π¨π¦πTrue Canadian ππ¨π¦ (@canadian-capt.bsky.social) October 23, 2025 at 9:04 PM
Irvin Radatzke, a World War 2 veteran, was gonna be spending Remembrance Day alone in hospital, but when fellow veterans heard, they said hell no, not on our watch. They will also celebrate his upcoming 100th birthday. www.ctvnews.ca/vancouver/ar...
— Bon Hanson (@bonhanson.bsky.social) November 10, 2025 at 12:24 PM
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Tomorrow is 11 Nov - Remembrance Day. I wear a poppy to honour all soldiers, but especially my great-grandfather John Austin Hadfield, and his younger brother Vic who was killed in the hell of Passchendaele, in Flanders Fields, where poppies grow. en.wikipedia.org/wiki/In_Flan...
— Chris Hadfield (@cmdr-hadfield.bsky.social) November 10, 2025 at 11:13 AM
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In the Canadian war cemetery at Ravenna in Italy there are so many Canadian and Sikh graves. The Sikhs were side by side with the Canadians in the brutal battles through Italy. They have served with valour in our armed forces.
— Charlie Angus (@charlieangus104.bsky.social) November 5, 2025 at 9:16 AM
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A good comment from Black Cloud Six: Finally, here is a piece that is very moving, but also chilling - this is, I think, what Black Cloud Six is talking about.Tonight is the night of lights at Field of Crosses, on Memorial Drive. "Lanterns are placed in front of the 3,620 crosses and burn from sunset until sunrise Remembrance Day." www.fieldofcrosses.com/event-details/ #Calgary #RemembranceDay #LestWeForget #Canada
— cm π¨π¦ (@cmcalgary.bsky.social) November 10, 2025 at 2:39 PM
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Undaunted defiance amid raw remembranceLest we forget.
...At the edge of that complex, on a patch of unkempt grass just past a guarded gate, a soldier stands in a plastic box. He looks at you, but does not move. Does not breathe. There is no breath in him.
...In March 2023, a 12-second video surfaced on Telegram, evidently posted by Russian fighters. It shows a Ukrainian soldier, unarmed, standing in a shallow trench. His hands hang empty beside him; a cigarette dangles from his lips. He gazes at his captors a bit sidelong, over his right shoulder, without any hint of a flinch.
The Russian troops ask the man a question. He takes the cigarette in his fingers and exhales a waft of smoke.
“Slava Ukraini,” he says, “glory to Ukraine,” and then the Russian rifles chatter and he falls to the ground dead.
Behind the camera, one of his killers hisses at the corpse, in Russian: “Die, bitch.”
The casual cruelty of the execution, the pride apparent in making and sharing the video, juxtaposed with the man’s quietly defiant last words: these shattered Ukrainians’ hearts, made the then-unknown man a hero and, for just a brief window of time, grabbed global headlines and shocked the world....
The sculpture, created by artists Oleh Tsos and Albina Safronova and unveiled in late 2023 with Matsievskyi’s mother and wife in attendance, is uncanny. Made of silicone and plastic, designed with the aid of digital scans, it is not just lifelike but deeply unsettling in its realism; it captures him as he was in the last 12 seconds of his life, exactly.
The cigarette perched between his lips; the delicate blue threads of his veins; the war-weary folds of his face. His expression: exhausted, resigned to his fate, though not defeated. Even the ground under the sculpture’s feet isn’t the raggedy green grass of the Kyiv Fortress, but the leaf-strewn dirt of the forest where Matsievskyi was executed.
The verisimilitude is eerie. When you walk past the sculpture its eyes seem to follow you, gazing unblinking into your own. When I visited, I could not look at it — at him? — for long, discomfited by the sense of falling into a valley between life and not-life.
I could not shake the sense those eyes were telling me something.
...In the sculpture’s fidelity to life, the creators were offering not just a tribute to Matsievskyi’s quiet act of bravery but a much more challenging statement. The figure’s gaze, seized from the moment of a final breath and lifted out of the reach of death, demands that we see him not first as a hero, but simply as a man.
Just a man. An electrician from Nizhyn, near Kyiv, with tired eyes and a slightly bowed head. A man who could have lived — should have lived — an anonymous life in peace.
A man who was not, when he lived, any larger than life, but simply went to defend his country and died what, but for that video, would have been an unknown and invisible death.
His last words, he spoke only for himself. He could not have known the world would see them.
And through his frozen gaze, preserved precisely and forever, the viewer is required to see not only that humanity, but also to confront the circumstances that propelled it from average life to heroic legend. It’s a gaze that stands as a condemnation of a collective global failure to action: of lessons not learned, promises not kept, professed values not honoured.
...And on Tuesday, when Canada pauses to honour those who fought and perished in wars of the past, when we lay wreaths and adjust poppies and hear the cannon blasts, let us try to think of our fallen like this. Not only names, not only dignified photos and polished inscriptions.
They were just men, just women. Just people, their lives among millions of threads snipped by the grinding force of history and war, but still woven into the same tapestry as our own.
They did not go to their rest knowing what their sacrifice meant; they did not live to see how their chapter of history would end.
And if we could have seen their eyes in their last moments, what would those eyes have said?
We will never know for certain. But for the memory of those of the past, and for our hope in those who will come after, we must at least try to imagine.
There may never come a day when there are no wars to snip living threads. But lest we forget the dream that it will, let us remember those to whom it happened.




6 comments:
Black Cloud Six is right that Remembrance Day "is not for veterans, to honour veterans or to commemorate our service. It is for the fallen." That was indeed its original intent - a quiet moment to reflect on the fallen and the folly and horror of war so that we hesitate to go there again.
But Remembrance Day has always said a lot about us as a society, too. What was once a modest minute of collective silence in keeping with the stoicism of earlier generations has grown into Remembrance Day and Veterans' Week, just as Pride grew from a day, to a week, to a month and now to a season. A minute's silence is now two as our society demands ever greater performative virtue signaling.
While telling the stories of indigenous and Sikh veterans is good, I wonder about the wisdom of dividing society into subgroups with their own special day instead of taking a collective moment of quiet reflection. As the number of veterans dwindles, why do we feel the need to make remembering the fallen more elaborate? Is Remembrance Day really more about burnishing the image of the living?
Thanks Cap. I think the value of recognizing Indigenous and Sihk soldiers and women is that it acknowledges how their contributions were ignored or minimized or even denied for so long.
A few years ago my wife was creating a display about the history of WW I, at the university library where we both worked. Somewhere in the process I ended up looking through a book of WW I poetry which was arranged by date . . . not strictly, but you had 1914 poetry, then 1915 poetry and so on. It was striking how the tenor of the poems changed as the war progressed.
At the beginning, the poems were optimistic. They talked about glory, they talked about duty, war seemed like a lark. Get into 1915 and there was still plenty about duty, but a bit more sternness was setting in--this would not be an easy task. Some misgivings were definitely beginning to be felt. By 1916 most of the poems were very much in "war is hell" mode . . . tragic, sarcastic, pessimistic. By 1917 they were poems about a surreal horrorscape of death, and I had the distinct feeling that all the poets wanted to see every high officer hanged or forced to walk into the clouds of mustard gas. It made an impression on me. War is not good.
"But Canada's next generation will not remember their names."
Not if I can help it!
https://www.bombercommandmuseumarchives.ca/menu_sub_bombercommand_canadaairwar.html
Hey Paul, what a fascinating website! A real contribution to knowledge and remembrance.
Interesting observation, PLG. The Western front in WW1 was a hellhole, wasn't it, for both sides
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